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Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele
Self-portrait with hands to the chest - Egon Schiele

Self-portrait with hands to the chest - Egon Schiele

Painted in watercolor and charcoal, this self-portrait of Egon Schiele focuses on his head and hands. The rest of his body is a simple sketch without detail. Very inclined to introspection and the search for his deepest self, the artist represents himself without taboos, as he sees himself, with a certain femininity in the position of his hands. The expression of his face, casual, even shameless, seems to show his indifference towards the judgments that one could make on him.

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The artwork in a nutshell

Painted in watercolor and charcoal, this self-portrait of Egon Schiele focuses on his head and hands. The rest of his body is a simple sketch without detail. Very inclined to introspection and the search for his deepest self, the artist represents himself without taboos, as he sees himself, with a certain femininity in the position of his hands. The expression of his face, casual, even shameless, seems to show his indifference towards the judgments that one could make on him.

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